Ars nova: French and Italian Music in the Fourteenth Century - download pdf or read online

By JohnL. N?s,John L. Nádas,Michael Scott Cuthbert

within the early fourteenth century, musicians in France and later Italy validated new traditions of secular and sacred polyphony. This ars nova, or "new art," popularized by means of theorists comparable to Philippe de Vitry and Johannes de Muris was once the one of the first of many later routine to set up the tune of the current as a fresh holiday from the earlier. the wealthy track of this era, through composers equivalent to Guillaume de Machaut and Francesco Landini, isn't just appealing, but in addition rewards deep learn and research. but contradictions and gaps abound within the ars nova of the fourteenth and early 15th centuries-how can we learn this song? how can we practice this tune? what was once the cultural context of those performances? those difficulties are good met through the ingenuity of techniques and ideas chanced on by means of students during this quantity. The twenty-seven articles introduced jointly replicate the large methodological and chronological diversity of scholarly inquiry at the ars nova.

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Get Ars nova: French and Italian Music in the Fourteenth Century PDF

Within the early fourteenth century, musicians in France and later Italy tested new traditions of secular and sacred polyphony. This ars nova, or "new art," popularized by way of theorists comparable to Philippe de Vitry and Johannes de Muris used to be the one of the first of many later activities to set up the track of the current as a fresh holiday from the previous.

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Ars nova: French and Italian Music in the Fourteenth Century (Music in Medieval Europe) by JohnL. N?s,John L. Nádas,Michael Scott Cuthbert


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